Watch Amy, a French horn player, go through her practice session in this video:
Students should practice an average of at least 30 minutes per day if they are to make progress. The following is a suggested routine for practice:
Warm-Up -10 Minutes
This should consist of Long Tones, followed by scales and exercises (rhythm practices). This is perhaps the most important part of a students practice, and yet it is almost always the most overlooked by the student. Most professional players consider this the most important part of their practice.
Long, sustained tones, in a variety of ranges and dynamics, combined with a deep concentration on the part of the student on the quality of sound and the center of the pitch will improve every aspect of a student's playing in a remarkable way. Such practice takes much self-discipline and patience, which is why it is often neglected by young students.
Scales are another essential practice item that must be addressed every day by the young student. All music is based upon scales and arpeggios. If you can play a scale, you can easily learn to play any song based on that scale or key. Scales should be practiced very slowly at first, with the emphasis on perfect rhythm and even fingers. Only when a student can play a given scale perfectly, many times in a row (the rule of 5), should they increase the speed. Adding octaves to scales allows you to increase your playing range - how high or low you can play.
Band Music or Test material-10 minutes
Work on music to be performed and exercises assigned as test material. In your binder, this is the rhythm practices and rhythm and notes practices.
Song Practice-10 minutes
Students should spent this part of their practice time playing songs they like. Students are encouraged to play melody practices. A simple google search of a favorite song accompanied by the words "sheet music" can provide students an exciting an entertaining melody. There are many song books available at area music stores that contain popular and traditional songs for instrumentalists at varying levels of proficiency. Students should spend some time looking through these books for material they would enjoy learning. Scales, long tones, and exercises are necessary to build the control needed to play music. Band music does not always have the melody line in every part. To become a good musician, and to enjoy playing, students should play melodies every day!
MSBOA Solo and Ensemble Festival provides a great opportunity for band students in the advanced band to perform a solo and chamber group music.
The saying, "Practice Makes Perfect" is only partially correct. You must add "if Practiced Perfectly" if you are to get real benefit from your practice. Much of what we call practice is really necessary experimentation. Many students "experiment" many times until they get it right, and then think they are finished. In truth, each unsuccessful attempt is just experimentation to learn how to achieve a result. Once the correct result is achieved, you must repeat the correct response over and over. This is what practice really is, playing the song, scale, or exercise correctly, over and over again. Remember, if you play something 4 times wrong, and play it correctly on the 5th try, you have a 1 in 5 chance of playing it correctly on the next try. Only when you can play the song 5 times in a row, without making a mistake, can you really say you know the piece. This is called the "rule of five".
This should consist of Long Tones, followed by scales and exercises (rhythm practices). This is perhaps the most important part of a students practice, and yet it is almost always the most overlooked by the student. Most professional players consider this the most important part of their practice.
Long, sustained tones, in a variety of ranges and dynamics, combined with a deep concentration on the part of the student on the quality of sound and the center of the pitch will improve every aspect of a student's playing in a remarkable way. Such practice takes much self-discipline and patience, which is why it is often neglected by young students.
Scales are another essential practice item that must be addressed every day by the young student. All music is based upon scales and arpeggios. If you can play a scale, you can easily learn to play any song based on that scale or key. Scales should be practiced very slowly at first, with the emphasis on perfect rhythm and even fingers. Only when a student can play a given scale perfectly, many times in a row (the rule of 5), should they increase the speed. Adding octaves to scales allows you to increase your playing range - how high or low you can play.
Band Music or Test material-10 minutes
Work on music to be performed and exercises assigned as test material. In your binder, this is the rhythm practices and rhythm and notes practices.
Song Practice-10 minutes
Students should spent this part of their practice time playing songs they like. Students are encouraged to play melody practices. A simple google search of a favorite song accompanied by the words "sheet music" can provide students an exciting an entertaining melody. There are many song books available at area music stores that contain popular and traditional songs for instrumentalists at varying levels of proficiency. Students should spend some time looking through these books for material they would enjoy learning. Scales, long tones, and exercises are necessary to build the control needed to play music. Band music does not always have the melody line in every part. To become a good musician, and to enjoy playing, students should play melodies every day!
MSBOA Solo and Ensemble Festival provides a great opportunity for band students in the advanced band to perform a solo and chamber group music.
The saying, "Practice Makes Perfect" is only partially correct. You must add "if Practiced Perfectly" if you are to get real benefit from your practice. Much of what we call practice is really necessary experimentation. Many students "experiment" many times until they get it right, and then think they are finished. In truth, each unsuccessful attempt is just experimentation to learn how to achieve a result. Once the correct result is achieved, you must repeat the correct response over and over. This is what practice really is, playing the song, scale, or exercise correctly, over and over again. Remember, if you play something 4 times wrong, and play it correctly on the 5th try, you have a 1 in 5 chance of playing it correctly on the next try. Only when you can play the song 5 times in a row, without making a mistake, can you really say you know the piece. This is called the "rule of five".